That Floating Poo Was Far Too Symbolic! It's the TV Letdowns of the Year.

Looking back, we consider the television landscape of the past year, a selection of shows stand out not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly poor docuseries, here are the productions that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Plagued with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final series began, it seemed as if it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final season. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to start listing the flaws. The laughably wooden dialogue? The tedious veneration of affluence and consumption? The seemingly wilful procession of tropes? Acting so bad they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this show again. Except, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be reserved for the people who have had to suffer proximity with this charismatic but dismissive egotist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just really boring; a dispute over narcotics territory between various cockney picaresques which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Instead, the experience was akin to consuming a marketing brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was straining desperately to live up to something way beyond it.

Too Much

How do you follow a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from oddly jaunty, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could destabilise society? No! This international thriller about secret services targeting – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for explicit escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Lori Willis
Lori Willis

Priya Sharma is a cultural anthropologist with a passion for bridging Eastern and Western traditions through storytelling and research.